Carl Larsson
A Sweden Museum
Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.		 Carl Larsson

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Here are all the paintings of Eastman Johnson 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
39074 A Ride for Liberty Eastman Johnson A Ride for Liberty mk140 circa 1862 Oil on board 55.8x66.4cm
71843 A Ride for Liberty -- The Fugitive Slaves Eastman Johnson A Ride for Liberty -- The Fugitive Slaves between 1860(1860) and 1864(1864) Oil on paper board 55.8 x 66.4 cm (21.97 x 26.14 in)
49324 A Ride for Liberty-The Fugitive Slaves Eastman Johnson A Ride for Liberty-The Fugitive Slaves mk195 1862 Oil on board 22x26
45369 Das Ahornzucker-Larger Eastman Johnson Das Ahornzucker-Larger mk181 um 1865-73 Ol auf Holz 25.7x57.4cm
45370 Das Leben im Suden Eastman Johnson Das Leben im Suden mk181 1859 Ol auf Leinwand 91x119cm
45375 Das Madchen,das ich Zurucklieb Eastman Johnson Das Madchen,das ich Zurucklieb mk181 vor 1875 Ol auf Leinwand 106.7x88.7cm
45372 Die Familie Brown Eastman Johnson Die Familie Brown mk181 1869 Ol auf Papier auf Leinwand aufgezogen 59x72cm
73114 Fugitive Slaves Eastman Johnson Fugitive Slaves Date between 1860(1860) and 1864(1864) Medium Oil on paper board Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in) cyf
84237 Fugitive Slaves Eastman Johnson Fugitive Slaves Oil on paperboard - 22 x 26.25 in - c 1862 cyf
50525 Negro life at the South Eastman Johnson Negro life at the South mk212 Oil on canvas 36x45in
80212 Negro Life at the South Eastman Johnson Negro Life at the South Negro Life at the South - Oil on canvas - 36 x 45.25 in Date 1859(1859) cjr
39080 Not at Home Eastman Johnson Not at Home mk140 circa 1873 Oil on canvas 67.1x56.7cm
80485 Ojibwe Wigwam at Grand Portage Eastman Johnson Ojibwe Wigwam at Grand Portage Ojibwe Wigwam at Grand Portage - Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cjr
84752 Ojibwe Wigwam at Grand Portage Eastman Johnson Ojibwe Wigwam at Grand Portage Oil on canvas 10.25 x 15.2 - 1857 - Scanned from cyf
74812 Sugar Camp Eastman Johnson Sugar Camp English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. Date circa 1861-1866 cyf
33016 The Boy Lincoln Eastman Johnson The Boy Lincoln nn08 1868
39282 The Converstaion Eastman Johnson The Converstaion mk146 1879 Oil on canvas
31954 THe Cranberry Harvest,Island of Nantucket Eastman Johnson THe Cranberry Harvest,Island of Nantucket mk77 1880 Oil on canvas 27 3/8x54 1/2in
94068 The Girl I left behind me Eastman Johnson The Girl I left behind me 1875(1875) Medium English: Oil on Canvas Dimensions 106,7 x 88,7 cm cjr
38681 The Hatch Family Eastman Johnson The Hatch Family mk139 Oil on canvas 1871
49313 The Letter Home Eastman Johnson The Letter Home mk195 1867 Oil on composition board 23x27 Musuem of Fine art
38357 The Lord Is My Shepherd Eastman Johnson The Lord Is My Shepherd mk136 Oil on canvas about 1863
49363 The Pension Agent Eastman Johnson The Pension Agent mk195 1867 Oil on canvas 25x37
72992 The Sugar Camp Eastman Johnson The Sugar Camp "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr
80275 Union Soldiers Accepting a Drink Eastman Johnson Union Soldiers Accepting a Drink Union Soldiers Accepting a Drink - Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cjr
84518 Union Soldiers Accepting a Drink Eastman Johnson Union Soldiers Accepting a Drink Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139 cyf
Eastman Johnson
American portrait and genre painter, 1824-1906 American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects
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